韓國倫理（lǐ）片在（zài）線

"Don't Be Shy"

曆史劇總（zǒng）是一出（chū）悲劇，人類文明悲喜交加。

那（nà）個“圖賓根木匠”的影（yǐng）評（píng）寫得很好了，這部電影其實無關同性戀。Scott和Bob對應了莎士比亞《亨利四世》中貴族和平民兩條線。而主角Mike的同性戀（liàn）身份（fèn）和他的尋母動機，都徹頭徹尾的表現了自我身（shēn）份確認的孤獨（dú）感。

B站（zhàn）看的。情節緊湊無尿點，有的人注意力放在與史實不符比較個人（rén）英雄主義，我注意到了劇情設計中主人公“成長”的那一部分，開頭主人公在聚會上（shàng）得知自己兢兢業業，業務水（shuǐ）平不錯卻無法升職為艇長，艇長在任務中直（zhí）接點出了缺陷（xiàn）所在，恰好艇長陣亡，作為副艇長正好負擔起艇長的（de）職責，也要麵（miàn）臨艇長（zhǎng）的挑戰。在戰（zhàn）爭（zhēng）中（zhōng）一個指揮官比做錯決定更不可接受（shòu）的就是猶豫，麵對困境一（yī）定要有所犧牲的時候長（zhǎng）官就需要擔責任和（hé）壓（yā）力作（zuò）出決定。

Best black romantic comedy of all time? Hal Ashby tries for something so far-fetched, so absurd and subversive that it will only resonate with a few. Its ambition and aesthetics are reminiscent of Dadaism, while its dandy characters feel like the eccentric successors of Des Esseintes from “A Rebours” by Huysmans (1884). Dark, dead-pan humor along an artistic style & intellectual tone shape its mood - death and simulated suicide constantly hanging over. It never fades into nihilism though. Instead, Harold & Maude can be construed as an inspired parable conveying a simple but authentic philosophy of life, an ode to unbounded love and life freed from social norms & disciplinary institutions.